Most of the south wall is devoted to the illustration of Usnisa-vijaya-dharani sutra, which uses the shape of the horizontal rectangle of the surface and the picture is rendered in a concave form; the preaching scene is in the center, and above it is the heaven represented by Mt. Sumeru. The two sides and the lower part are used for detailed scenes. The central Buddha wears a kasaya which covers his both shoulders and sits on a lotus throne in diamond position. A few beams of light radiate from the Unisha extending like a fan into all directions. Around the Central Buddha are disciples, bodhisattvas and Buddhist monks who are listening to the preaching. The upper part describes the celestial buildings and the figures such as Prince Shanzhu and Indra as well as The dream of Shanzhu, Zhanzhu paying a visit to Indra, and Indra turning to Sakyamuni for help. The west side is used for the scenes of the Introduction in the version translated by Buddhapali from top down: Buddhapali coming from the west to visit Mt. Wutai, Buddhapali kneeling down and praying, Buddhapali meeting the elder manifested by Manjusri, Buddhapali going to Chang\'an and giving his scriptures to the Tang court, and the emperor rewarding him with a lot of silk. The scenes on the left side are about Indra going back to the heaven after being taught the Dharani sutra by the Buddha, Prince Shanzhu getting salvation out of the reincarnation, Shanzhu and Indra visiting Sakyamuni, and Sakyamuni\'s prediction. Below them are the Sun disc which symbolizes the Dharani sutra, the treasured pagoda where the sutra is kept, high buildings, high mountains and people going to pay respect, the devil who protects the sutra, heavenly kings, scenes of making the evil people to be reborn into the heaven by spreading soil and reciting the sutra. The middle lower section mainly contains scenes of the hell where Prince Shanzhu would suffer and be reborn as a beast in the future. Pictures at the bottom are most severely damaged.