The north side of the entrance in the east wall is an illustration of Cintamani-cakra, below it are two female donors who wear a high chignon with hairpins, colorful coat and plain skirts, red shoes with the head bent upwards. They hold a lacquer or cloth wrapper in hands. Beside them is an ink inscription on a red ground: in order to forsake the bad life, (someone\'s name) and my daughter Xihe make offerings of six Buddha images wholeheartedly. Outside of the niche, there are traces of six seated Buddhas in the upper place, which might be the six Buddha donated or painted by Xihe. This is the only example at Mogao that the maidservant of lower social status could have her portrait painted in the cave. However, this verifies that such caves of small or medium size were usually donated by people of different social classes. On the south side of the entrance is an illustration of Amogha-pasa (the upper part is lost) with three male donor figures below.

The south wall is covered by two illustrations, the one of the Medicine Buddha is on the west side and that of the Sutra on Devas\' Questions on the east side, both showing severe loss of paint. There are seven male donors below the illustrations.

A niche is dug out of the west wall, and the statues in it have been lost. There is is a pattern composed of a crossed vajra and a medallion on the niche top. The west slope in the niche has a picture of three seated Buddhas (only two preserved) and an incarnated boy, and on each of the other three slopes is an image of three seated Buddhas. The west, north and south walls in the niche are divided into an upper section and a lower section. All of the upper section exhibits a picture of three seated Buddhas, but on the west wall only two preserved. The lower sections are all covered with screen paintings, and there are four screen paintings on the west wall showing six disciples (the two on the south side respectively depict the elder disciple Kasyapa in kasaya with landscape motifs and brown monastic shoes and followed by two young disciples) ,while the six screen paintings on both the north and the south walls each has a bodhisattva.Below the niche is a votive text, flanked by one Buddhist monks, two nuns, two male donors and one female donor. The north and south sides out of the niche respectively depict an image of Vaisramana. According to a a votive text below the west niche (now invisible), this cave was constructed in the 12th year of Xiantong era (871).

The north wall is covered by two illustration, the one of the Amitabha sutra on the west and the other of the Maitreya sutra on the east, both showing severe loss of paint. The Maitreya sutra illustration is particularly hard to identify. In the Amitabha sutra illustration, the seven-treasured pond is well preserved, which looks like an arch shape, in which a Kalavinka is playing the pipa. Jivamjivaka and a peakcock are painted on the two sides. There are ten female donor figures below.

Three seated Buddhas

Three seated Buddhas (two preserved now) and an incarnated boy

Three seated Buddhas